Demongaze Armour Part 1

Having only arrived back at home in the past 3 days and only being in NZ for the past 6 I was extremely excited to start on my newest costume,the Demongaze Death Knight Armour from World of Warcraft.

I started patterning on my dressform by using the typical armour making technique by covering the area I wanted to pattern in glad-wrap (Plastic food wrap) and then covering that with painters tape. The glad-wrap acts as a barrier so they you aren’t directly applying the painters tape to the dressform. This way it comes off easily and maintains shape a lot better. The painters tape then acts as your pattern paper, which you draw your patterns on with a vivid marker pen.

I swear the WOW community is the best when it comes to easy reference images! I was luckily enough to be able to find a 3D movable image of the armour I’m working on. The link to that is Here however I’m not sure if it will work on mobile if you wish to view it on that platform. You can also un-equip armour which meant I could take off the shoulder armour and helm as they were in the way of me seeing the breastplate and back plate.

I made a quick (poor) sketch of the armour before starting the patterning. This just helped me to plan out the order I would be making things and how they fit together and to work out seams ect.
1Ir8IVVA

Once I had the page set up and zoomed in on the area I was patterning, I set to work.
I started with the breastplates lower section (nicknamed ‘the under boob or mid tit plate’) I can’t find the patterning progress for this plate and that’s probably down to me stuffing up on the first attempt which is fixed now.
Underboob armour
I’d just like to quickly say that I’m not bothered about pinning the foam in this build as everything will be covered in black Worbla anyway, had I not been covering it I would be a lot more cautious about this as it does leave a marks and they’re hard to remove.

Next to pattern was main breastplate (or the booby cup as Kumui cosplay would call it!) I will be shaping it with a ball ornament to get a round shape in needed places.. The piece then merges up to the shoulder seam. I’ve left this piece of the armour as painters tape because it will be made from folded Worbla (two layers) this is because shaping foam to that shape could be difficult, the double layer just makes it sturdier.
I also patterned another section of the breastplate which comes up from the center of the under boob armour piece which goes up to meet with the end of the main breastplate piece making a ‘V-neck’ shape when mirrored. (Better photos of that later on)

Next is the 3rd layer of the breastplate which comes off the 2nd layer. I was really careful patterning this piece as I had to make sure it would be long enough to meed the belt but now be so long that it exceed where the belt would sit. And I think I got there!
full chest 3rd layer
And that is the breastplate patterned! I only had the backplate to work on. I started with the top which I made sure to connect with the shoulder seam on the breastplate. I then continued with the 2nd and 3rd layers using the same techniques.

After finishing the backplate I went back and made foam copies of the ‘V-neck’ piece as I realized it wouldn’t need to be made from folded (two layers) of Worbla.
Full fron armour
And that is what the front looks like! The painters tape section will be mirrored on the other side with Worbla so you’ll just have to be that little bit imaginative for now!

Above is the finished front and back armour pieces.


The bottom two layers of the breastplate and backplate need another layer so that I can add depth details but I will explain that more in my next post. I’ll be getting sculpting materials Tuesday so that I can add the Worbla over top of the foam and start the molding and shaping process.

And that’s the first official progress report on this cosplay.
Thank you for reading
-Nivera

 

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30 Day Cosplay Challenge in one post!

As its the start of 2016 I decided to do the 30 day cosplay challenge now and then again at the end of the year and then compare results! I hate spam and would hate to trash through my followers readers with this challenge everyday so I’ve decided to combined it all into one post!

Day 1 Your first cosplay.
My first cosplay would have been Celaena from the cover art from Throne of Glass. This was explained in an earlier post this one!  Because I never got photos from it and am far too embarrassed by it to recreate it I’m not sure it counts!
In 2014 however I did an Attack on Titan cosplay (bought) which I wore to Wellington Armageddon. The cosplay wasn’t character specific but I got called Sasha a few times so that was positive I guess! I also tried to be Mikasa once! (lets not go there any further) Here are the photos I still have!

Day 2  How many costumes have you done?
Celaena, Attack on Titan, Nightingale Armour, Dark Brotherhood Assassin, Dragonborn Dragon Scale Armour. So that’s 5 but I’m only really proud of the last three. I have completed many sewing projects however they weren’t costumes! I only really found a passion for making costumes in the last 10 months or so therefore its kinda expected I haven’t completed many costumes as most of the ones I have made myself are rather complicated. Simple isn’t satisfactory when it comes to costume making for me.
All three Photoshoot 2015

 Day 3 Your most recent cosplay
The Dragon Scale Armour from the Elder Scrolls Skyrim. My first armored project which I am very pleased with!
cropped-3-dragon-scale1.png

Day 4 Your cosplay communities, where do you go to talk about cosplay?
(WordPress) Here is the most obvious place, where I write full blogs about the costumes I construct and is also more photo heavy than my other social media. Along with tutorials too.
Twitter (@NiverasWings) Short tweets that usually express my frustration of success with what I’m working on. Photos are more filtered there and only the best ones are posted.
Cosplay Amino (@niveraswings) Medium length blogs depending on what I’m writing about, my tutorials tend to be longer there. Again photos are filtered there with only the best being posted.
I don’t have a Facebook page and don’t plan on getting one.

Day 5 Blatant self plug! Link us to your cosplay page
Twitter!  Cosplay Amino! Is an app but that is a link to the web version

Day 6 Your favourite cosplay (that you have done)
I have to go with the Dragon Scale Armour from Skyrim! It was a lot of fun to wear and surprisingly comfortable. It also lead to me getting my first shoot with a photographer at a convention! And it will always be the first cosplay I entered in a cosplay competition.
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Day 7 The character you have cosplayed that is most similar to you (if none that you have cosplayed, then one that you will cosplay)
This question is hard as all of my costumes I have made are from RPG (Roll Play Games) such as Skyrim so you ‘pick your own path’ and such. A character that I will (possibly never) cosplay who is (kind of) like me would have to be Jenassa from Skyrim! She’s sassy and I absolutely adore he sassy comments in game. I honestly can’t think of anyone other character so she will do! Sorry Stu~

Day 8 Your cosplay plans for the rest of the year (if you have no more for this year, then do next year!)
My previous post  explains what order I will likely be making costumes for this year.
2016 plans

Day 9 The dream cosplay that might just happen
I have always wanted to make a costume for an original character/design I have. Of course being me I haven’t actually drawn this out yet so I can’t post a photo, I would try and explain but that could get really lengthy!

Day 10 The dream cosplay that will never happen
Uhhhh! I honestly can’t think of any! There are costumes I like a lot but I don’t want to make them. If I like something enough I will put it on my list and if I buy the materials it will be made. Maybe something will come to me in the next day or so and I’ll add it then!

Day 11 Something cosplay-related that you will never do (eg. crossplay, cosplay from a certain series
I don’t see myself ever crossplaying and or gender bending a character. It just doesn’t appeal to me. I will never cosplay from DC Comics. I don’t see myself ever doing a closet cosplay. I hate AU cosplays so I will never do one of those.

Day 12 Your cosplay idol(s)
Beebichu cosplay who inspired me to make my own Nightingale Armour! She’s lovely and we occasionally talk over cosplay amino!
Lighting Cosplay Just an amazing cosplayer who can throw together brilliantly detailed costumes in little time! Her costumes are just brilliant!
Kamui Cosplay is another brilliant cosplayer who’s work with worbla is fantastic, she’s contributed to the community so much with her books full of tutorials and tips to help other cosplayers along the way.
Yaya Han is also amazing with a lot of fabric based costumes and the detail that goes into them is just fantastic her tailoring skills are inspiring!

Day 13 Your cosplay specialty (ie. something that seems to apply to a large amount of your cosplays, it could be a specific series, or a common feature in their appearance, such as glasses)
Elder Scrolls cosplays, to date including my unfinished costumes I have made 4 from the series. I do want to make more but am limiting myself this year and only making costumes that will have a huge impact and show a range of skills in my portfolio.

Day 14 Your cosplay-making habits (eg. singing while working on cosplay)
Procrastinating?!?! I listen to music (usually from a playlist) and I often talk my self through what I am making out loud while working. When I’m alone of course!

Day 15 Your least favourite thing about cosplay
I don’t like the negativity in the community towards people of color (Everyone can cosplay dammit) I don’t like hate in general within the community.
Un-ironed costumes.

Day 16  Do you belong to any cosplay groups?  If so, what are they?
I haven’t cosplayed as apart of a group yet but I do attend cons with my friends so we just roam the halls in our totally unrelated costumes with each other all day and that’s fun enough for me!

Day 17 What events have you cosplayed to?
Armageddon Expo Wellington and Armageddon Expo Auckland.
New Zealand is very small so we only have one con per say but that con is held several times over the year in different cities.

Day 18 What is your best cosplay memory?
Attending the Auckland Armageddon Cosplay Competition in 2015. I didn’t win any prizes but I enjoyed myself so much and met so many amazing cosplayers and it was just really cool to hang out with them over the weekend!
cropped-group-photo.jpg
Day 19 What is your worst cosplay memory?
Getting an image of mine reposed without credit and having that person semi impersonate me by not correcting over 40 comments from people complementing her on how ‘pretty she was’. That just disgusts me.
I’m still working on having the image removed.

Day 20 Have you won any cosplay awards?
No but I only entered my first competition late last year and am looking forward to entering Demongaze into the Wellington competition.

Day 21 Show us your best cosplay derp photo!
Is this derpy enough? I couldn’t find anything else!

Day 22 Have you worn cosplay in a regular situation? (eg. at school, to work)
I wore my Attack on Titan jacket to school once, surprisingly my fashion and textiles teacher loved the style of it and keep asking questions about it which of course I and the other anime lovers in the class found hilarious!

Day 23 Your most expensive cosplay
That I have made would be Dragon Scale Armour which cost just over $100 for materials ect. Aside from cosplay my Young Girl’s Loose Gown has to be the most expensive and I haven’t bought trims yet! The brocade is worth it though!

Day 24 Your most comfortable cosplay and most uncomfortable cosplay
Dragon Scale Armour wins this one again, yes I couldn’t sit down without taking the skirting off but most of the cosplayers I chatted to were standing anyway!
Dark Brotherhood Assassin looses this round.
I’ve said it before and I’ll say it again, top sewing a non stretch fabric such as medium weight cotton on top of a stretch fabric such as spandex does not work!
Basically my movement was restricted because of the non stretch cotton on the spandex making it a little tight! To top it off I had two seams split into holes about 2 inches long on both my inner thigh seams. BUT I HAD AN INSTANT FOREBODING THAT THIS WOULD HAPPEN and luckily packed a pair of dark leggings in my con bag and put those on underneath my body suit which made the splits unnoticeable.
Always have a plan B.

Day 25 The cosplay you put the most effort into
Dragon Scale Armour again! About 6 months of work and of course having to work with new materials and learn at the same time!

Day 26 Any unfinished costumes?  Will you ever finish them?
Temple Priest robes from Skyrim (Dragonborn DLC)
Its highly unlike I will finish this cosplay as I now hate it. End of.
Lucina Fire Emblem Awakening
I will finish Lucina and I am planing to wear her to Wellington on the day I don’t have to wear Demongaze so she will be my comfortable cosplay!

Day 27 How many wigs do you own? Which is your favourite?
I have never worn a wig for cosplay ever. My hair has worked for all of them so far and will likely only need two wigs this year for Celaena and Lucina!

Day 28  Where do you work on your cosplays and where do you store them when they’re done?
I work in the dining room which has a large dining table for me to spread out my things on. I have taken over the whole room, its a good thing we have a smaller dining table in the kitchen! I ‘store’ some of my costumes on my wall if they are too long to hang in shallow closets. I do this by just putting a pin in the wall and hanging a coat hanging off it + costume. The costumes I can’t hang get put into storage boxes under my bed, folded properly of course.

Day 29 What is your favourite cosplay item? (eg. a pair of shoes, a wig)
My liquid leather bodysuit! It’s been used for quite a few of my cosplays now and will be used again for my Demongaze Armour and Lucina this year!
I bought it from River’s Edge Dancewear which has since closed down.

Day 30 Describe cosplay in three words.  No more, no less.
Practice. Perfect. Preform.

And that is my 30 Day Cosplay Challenge completed in a day!
I think it will be interesting to compare at the end of the year.
-Nivera

Back to New Zealand/Work Schedule

I have had an amazing six weeks in England, seeing family again, looking at university’s, going to various museums in London and spending all of my money at Goldbrick fabrics.
I feel like I have achieved at lot since being there. I now have a better understanding of what courses I’m interested in as well as the direction I want to explore when it comes to making costumes and the skills I learn through those projects. I also feel like I have revived this blog with more frequent posts even if they are just about me rambling over period costumes. There will be a lot more posts this year with the large amount of costumes I have decided to make as well as the courses I have been accepted into such as  National Youth Drama School which is being held in April.

My last full day in England was spent at Shakespeare’s Globe Theatre a place I have dreamed about visiting ever since I got into acting when I was 13 or so.
It was an amazing experience and I loved the tour! I was semi star struck you could say when I saw that Janet Arnold the author of the ‘Patterns of Fashion’ series had a plaque dedicated to her! I didn’t realize that her patterns are actually used when making some of costumes for the globe. Those costumes which are all hand sewn might I add!!! Which is an amazing task considering this is what they have achieved through using sewing techniques from Shakespeare’s time.

  
CntrSBPP

In other news, we’ve bought a house over here in North Devon which will take away so much stress in the next coming eleven months. Its a lovely two story house with a large garden perfect for my cat and dog and its already been decided that the old garage will be renovated into a small studio for me to work in on my costumes!


Work Schedule for 2016
This is a little repetitive but it gives you an idea of the order I will be making costumes this year.

The first costume I will be starting on is the Demongaze Death Knight Armour from World of Warcraft.
I ordered my black worbla from Cosplay Supplies  in the Jumbo (XL) sheet size. They got my shipping address wrong on the first payment slip/receipt so make sure you check that if you order from them!! I wouldn’t have gotten the worbla had they used the original address. Because the site is based in America the cost of shipping gets worse the further away you are so I ended up spending $50 on the cheapest shipping method.
My wallet hates me, I hate me.
I’ll be starting on the breastplate first but I’m also really excited to start on the sword Frostreaper which I will be making from 3 layers of 6mm EVA with dowel running down the center for support. This costume is aimed to be worn at Wellington Armageddon Expo (Now NZ Comicon) June 6th. This gives me six months to work on this costume. Lots of time!

In my textiles class I should be starting on the Young Girl’s Lose Gown.
I have all the fabric to get started on the final product I just need corset material and the material I will use to drape draft the pattern up to scale which will most likely be Top Pop Poplin. I’m thinking about looking online for the lace I want to go around the neckline and sleeves as I can find any nice samples. I’m hoping to be able to make the dress alongside the gown but as I will be working on Demongaze its not likely I will be able to.
fabrics and dress

At some point before Autumn I will make the dress from the painting Ophelia by Georges-Jules-Victor Clairin. I want the photo shoot to happen in Autumn so I can best match the background of the painting. This dress will also count as a historical dress which is a great bonus because my portfolio lacks historical components at the moment. I adore the color and style of this dress and am really looking forward to the photo shoot!
Fabrics for blue

I will likely make Sansa’s dress for my second project in my Fashion and (but not limited to costumes) Textiles class. That is of course if it meets the standard requirements. I really love Sansa’s dresses and decided I had to make one! It also counts as a historical-ish dress which is great as that is my focus for the year. At the moment I’m thinking of printing fabric myself so I’m looking into methods of doing that at the moment.
dresss and fabric purple

Celaena, Queen of Shadows. I love the Throne of Glass series (And recommend it if you enjoy fantasy novels with awesome kick ass female assassins, the books are amazing!) and have debated cosplaying Celaena for a while (more about that in an earlier post). I’ll use left over worbla for this cosplay and am planing to wear it to Auckland Armageddon expo in October.


 

That’s the schedule for 2016 now for the task of making all that and sticking to it! I’ll be home officially tomorrow, after unpacking I want to start patterning the breastplate and roll out my 6mm eva foam so it will be flat and ready to cut once the patterns are drawn for that. I’m now considering going for 4 layers of eva for the sword, fingers crossed I have enough foam for that with the blade being about 1m in length (That’s the measurement in my head and I will confirm that later.

Thank you all for reading and here’s to 2016!
-Nivera

Young Girl’s Loose Gown 1610-20

Please ignore any posts previous to this one where I refer to this gown as being from the Elizabethan era. My maths was wrong and I’m just 7 years short of that deadline with this gowns date. However that’s not to say gowns of this style weren’t worn say, 10 years earlier to squeeze them into that time from which no doubt they were worn. If someone could link me an accurate timeline of costume history that goes through the eras names that would be wonderful! I can’t find a full list anywhere.
Wikipedia has failed me.

Remember my trip to the Victoria and Albert Museum? Where I desperately looked for the gown I’m looking to replicate from Janet Arnold’s ‘Patterns of Fashion Book 3’? THE BOOK THAT DIDN’T SPECIFY THAT THE GOWN WAS NOW IN STORAGE
Yeah that one.
As of three days ago I only had the replicated image of the gown from the book to go off as I couldn’t find any sources with photos of the original dress. But I found a website that documents all of the V&A’s costumes,objects and all manner or fancy old things they horde there. And would you guess what I found!? You guessed it! The gown, in storage…
The link to the gowns specific page is here which links onto another page which has photos of it Yay Photos!. Can’t be bothered opening a link?
The photos are below.

This gown is at least 405 years old so be kind, she’s precious.
I’m really pleased I found these photos as its given me a much better idea of what the gown will look like put together.
In the era the gown is from as soon as a child could walk/hold their own weight they were given ‘proper clothes’ which were miniaturized versions of what adults would have been wearing at the time. So In reality this gown would have been worn by a young girl. But the same style would have also been worn by adults which still makes it an appropriate costume for me to make and wear myself.

So in review,

I am going to be making a ‘replica’ of this gown. Replica with the addition of me using dark reds instead of olive green. (I am a very pale person, olive is not a good color for me I’m afraid). I’m not using the same materials unless we’re counting the dress worn under the gown in that case I would be.
The fabrics being used are red silk and a dark burnt red brocade.
fabrics and dress
The silk (I think?) being used for the dress worn under the gown. And the brocade being used for the gown itself. The shoulder wings and the hanging sleeves are both attached to the gown and will be made from the same brocade fabric. I will be getting trims for this dress when I get home either at Spotlight or I will order some online.
The pattern for the gown is in the book ‘Patterns of Fashion 3’ and can be seen below along with the blurb for the gown.
patternblurb
I have decided that I could possibly make the gown part of this costume in my Fashion and Textiles class at school, that way I can get credits for it! I’ll need to talk to my teacher to make sure it meets the standards requirements but it should work for it.


And that’s it for this update, I will be starting these costumes when I return to NZ in two weeks time.
Thank you for reading
-Nivera

 

Wimbledon College of Art and more Fabric Shopping..

It’s official, I’m a broke student again.

Today I went to Wimbledon College of art for a tour and to get to know the course(s) I am interested in. Those two courses being the ‘BA (Hons) Theatre & Screen: Costume Interpretation’ and ‘BA (Hons) Theatre & Screen: Costume Design’. First and foremost I am most interested in the Costume Interpretation course which like the other course runs for three years. In this course you ‘study the historical and social context of the evolution of costume in Western Europe through independent research’. And because of my love for historical costumes I find that course to be the most accurate to my long term goals in the costume making industry.

The location is lovely as its just far enough out of London that you don’t get the huge amount of people and constant smog but still close enough to central London that it still feels apart of London, not to mention its got a 15 minute walk to the tube which will take you to central London in just under half and hour (on a good service!)
The College its self has amazing facilities such as a fabric dying room that’s also a screen printing room. A small room for first year students to plan and design and then a much larger room for 2nd and 3rd year students to do the same. The sewing facilities are standard with relatively new sewing machines and I believe I saw over-lockers however I’m not sure. Many different dress forms and all shapes and sizes. To my understanding every 2nd and 3rd year student got their own desk and machine to work with as well as a safe to keep their belongings in while away, where 1st year students were left to use the main tables (each had a machine to it) set up like a classroom’s textiles class. In first year, students in the Costume Interpretation course will study and make corsets, make a petticoat and a bum roll.
Overall I really enjoyed my tour of the College, I asked loads of questions and all of them were answered. I got more information about how to put together a portfolio showcasing costumes. The basic concept of a portfolio for an arts school is to obviously show all of your work finished or unfinished. They want to see you fail! You should be able to confidently talk about your costumes, what worked and what didn’t. How did you overcome these situations did you have to alter original ideas and concepts to get you where you are? Ideally they want people who can confidently talk about their costumes and go into in depth discussions about their work, that work of course being to a high standard (this applies to finished costumes I believe un-finished costumes will be more easy going!) Drawings of original designs and of those costumes you are working on are great to add to your portfolio. Fabric samples paired with the costumes that were used for is also a great idea as whoever is looking at your portfolio will be able to tell how hard it was to work with such a fabric/material and judge how much skill was needed to produce an outcome of that standard with such a material (Some fabrics are harder to work with than others so they will make a judgement based on how well you did with that material and the skills used to manipulate it into your costume). And finally they want students with passion!!


And on my second trip to Goldhawk fabrics my grandmother helped pay for me~

3 and a half meters of Satin
dress fabric

And one meter of ornate lace~

These fabrics are of course for my Costume based off the painting Ophelia by Georges-Jules-Victor Clairin (I’ve nicknamed it Ophelia in Blue to avoid confusion with Sir John Everett Millais’s famous painting)
336px-Clairin_-_Ophelia
The main blue fabric is for the dress which I have decided not to line. The lace is for the sleeves which start just above the elbow.
The dress has little to no shape to it apart from the balloon sleeves (Its the best description I can give and its pretty accurate!). Rather than making a secondary garment to go under the dress to produce the sleeves I decided I will end the sleeves above the elbow with a band at which the end of the ‘balloon’ will be gathered. I’ll make the sleeves slightly longer than that so they will have an ‘over-flow’ effect as seen in the painting which in theory will hide the band and the beginning of the lace.  The bottom half of the sleeves (from elbow down) will be made from the lace. Which I really want to finish with a french seam and a slight bit of gathering to give the lace that cup look around the hand seen in the painting.
I’m hoping to make the headdress from thin craft wire and then cover it with Autumn leaves as well as make some vines to curl down the dress from wire and leaves as well.
Ideally this costume will have a photo shoot in Autumn hopefully late May so I can have the orange and some green leaves in the back drop of photos. These are New Zealand seasons keep in mind!


And that was today’s journey into London! Tomorrow I’m heading to the Warner Brothers studio in Watford aka the Harry Potter Studios! This is my second time going and I’ve seen that there are many more exhibits and displays on since I was there two years ago. I can confidently say I have acquired all the fabric I need for my next projects minus the lining materials for dresses, corset, body suit and eventual cape for Celaena which I have decided will be safer to buy in NZ rather than risking my luggage weight for the trip back home anymore. No more fabric shopping or I’ll be in debt!

Thank you for reading
-Nivera

Tutorial, How to make character color palettes for paints or fabrics

This isn’t a particularly hard thing to do I just believe it will benefit a lot of cosplayers when making costumes.
Something I have found extremely useful through my years of cosplaying is making color palettes  for characters I am planing on making. These color palettes can be for the fabric colors you will need or perhaps the paint colors you will need for armour and props.
The palettes are useful as you can print them out and then you are able to take them out with you when buying supplies, making it easier to compare materials to original colors. So much easier than comparing a fabric color to your phone screen at least.

Here is an example of the color palette  I used for my Demongaze Armour when out buying paints.
Demongaze color pallet and Sword
This color palette  is more complicated than the ones I usually make as it shows a variety of different shades in different areas of the Armour. You can make out that I had originally set out 8 boxes which then got divided into smaller boxes, 8 is usually the number I try to stick to. Theres just so much going on in this costume that it was impossible to stick to that. I also have a separate area for the sword just to keep things a little more simple.

Tutorial Time


The first step is to open Microsoft Paint and extent the page to a full A4 size.
Next you want to create a table of about 8 boxes (depending on the complexity / amount of color in the costume or prop it may be more or less). Keep this table to the far left of the page leaving enough room for a picture of your chosen character or prop to the right. Then insert a picture of your character/prop to the right of the table like so.
step one
I’m using Celaena from the Throne of Glass series as an example as she hasn’t got a color palette yet.

Now for the color. Use the color picker tool (looks like an eyedropper and is next to the rubber tool) over a predominant color of the costume/prop then switch to the color filler tool (looks like a tipped bucket of paint and is above the color picker tool) and then click on one of your boxes to fill the first back will that color. You can then label that square using the text box, I find switching to a white font shows up on most colors.
Step two
Continue this process with other predominant colors adding them to the rest of the boxes. Don’t forget that you can make more boxes by cutting larger ones in half or just adding more onto the original table. For armour and props I find it useful to add shadowed areas of a color to original color boxes, this helps with thinking ahead about shading reminding you to take that into consideration. It also helps with fabrics as some fabrics can look different depending on the light they get or just depending on how they were made.
Step tree
And your finished palette should look something like this! I did divide some of the boxes to show the difference in shading and light on the colors. I already know that the base material for this costume is leather and that’s why there is such a contrast when the light hits the leather.

After your palette is made you can remove the image of your character/prop or keep it if it helps remind you who or what the palette is for. Then print it off and take it with you the next time you are going out to buy materials for your upcoming project!
I’ve been making these for most of my recent costumes and it has really helped when buying materials for them. This technique is so much easier than having to compare fabric or paint to a phone screen.

Thank you for reading
-Nivera

2015 Costumes in review and next years schedule

This year has been successful as I completed a number of costumes and left a few behind to be finished at a later time. I thought it would be fun to go through all of this years costumes and then make a list of whats going to happen next year.

2015

Sisters at Sea
The first costume I made in 2015 was a replica WW1 New Zealand Nurse uniform for a school play which I also stared in. This costume was made in class time and took roughly 3 weeks of work.

Temple Priest Robes (Skyrim)
This cosplay was being made at home while I worked on my WW1 Nurse Uniform at school. Honestly I lost interest in this costume because I was disappointed in how the dyed robes came out. The color was dull and I really should have tried re dying them before I sewed layers upon layers of bias tap on but it was far too late for me to do this when I realized I hated it. I have this costume hanging up at home in a different room from my sewing room so I don’t have to look at it and that seams to be working! I may finish this costume next year but honestly I have more important components that need to be in my portfolio. I am not happy with this costume at all

Dragon Scale Armour (Skyrim)
Once I had given up on the Temple Priest robes I started on the armour made from 6mm EVA foam for this costume while working on the (battle) dress in my fashion and textiles class. This was my first time working with EVA foam both to try it out and prepare myself for working with worbla in the future. It was certainly a mission that’s for sure. Lots of painting involved and I think I improved a little on that skill. I loved doing the photo shoot with my photographer it was an amazing experience and can’t wait for next years shoots. This costume was finished just before the convention I wore it to in late October.

Dark Brotherhood Armour (Skyrim)
Over all this costume was made in 3-4 days and was a reasonably easy build, not so easy to wear. The major mistake I made with this costume was top sewing a non stretch fabric (cotton) onto a stretch fabric (spandex) which restricted the moment I had in the suit to very little. I did love wearing this costume and got some great photos with people at the con including JenofMidgard who is so lovely! I will need to re shoot this costume next year as I stupidly forgot the belts in the first shoot. And I will of course have my hood up in the photos, another thing I forgot.

Lucina (Fire Emblem Awakening)
This costume is un-finished but I defiantly have plans to finish it next year in between projects or when I’m bored of a project and need a break from it. I’m pleased with hows its looking so far and will do a photo shoot in it at some point.

Nightingale Armour, Re-paint (Skyrim)
This costume was completed in 2014 but I decided to repaint it all for a photo shoot I was having in late November for the other two costumes I had made this year. I re-painted the whole costume with liquid ‘kiwi’ shoe polish until the paint layer was even. I then went around the outline edges with a white paint pen to add some extra detail.

And that’s it for costumes made in 2015 I don’t think I have missed anything. Moving onto next years costumes!

2016 These costumes are in a vague order

Demongaze Death Knight Armour (World of Warcraft)
What will be my first worbla build along with working with other new materials . My first full post on this is here where I break the armour down and talk about how I’m going to go about making it.

Young Girl’s Evening Dress (Historical dress)
This dress will be the first costume with a historical aspect for my portfolio. I love the era this dress is from and had to make something from that era. I adore hanging sleeves and wanted to make the dress and the cloak/cape as soon as I saw it.
pretty dfresee

Sansa Stark (Game of Thrones)
I love the character of Sansa and decided I wanted to make one of her dresses while watch the series. I really like how modest her dresses are and like the styles of most of them, not so much season 1 as she was still quite childish. The dress I decided on was the one she wears a lot in season 3 similar to the Dragonfly dress.


Ophelia, Georges-Jules-Victor Clairin (Ophelia in blue)
Another goal of mine for next year is to make a dress based of a painting. I’ve always liked the famous painting Ophelia by John Everett Millais but decided that dress wasn’t what I wanted to make so I kept searching and fell upon the painting by Georges-Jules-Victor Clairin which I think is fantastic and I just love so much about the work. Because of the back ground of the painting I want to have a shoot for this dress in Autumn so it has the same striking effect the painting has. The dress looks simple enough to make and I should be able to drape and draft it on my dress form.
336px-Clairin_-_Ophelia

Queen of Shadows (Throne of glass series book 4 cover art)
This is a recent costume I decided to make and a full post about that is here. I have lots of plans for this costume already and will likely buy fabrics for it in London.
full front


And those are the five costume I will be making next year. There are some other costumes too which I will be making in my Fashion and Textiles class. I’m thinking about making a Tudor corset in that class but then again I’m making one that’s in-sewed into the dress for my Elizabethan dress so at the moment I’m debating if that is a greater skill shown to making a separate corset. There is also the Trash for Fashion show in March(?) which I will be entering obviously with an original concept. I am working on drawings for this so I may have a post about that later in the month.  And I will be entering the Bernina Shakespeare Costume Design Competition which I have started looking into for a character and inspiration.

And that’s my vague plan for this year!
Thank you for reading
-Nivera